New Novels
At Childhood's End, Sophie Aldred
It has been years since Ace travelled with the Doctor. Now she goes by her real name and runs the philanthropic empire A Charitable Earth and keeps watch over the world in the absence of UNIT and Torchwood. When young people begin to be abducted, the trail leads Dorothy McShane to a hidden spaceship in lunar orbit, where she meets Yaz, Ryan, Graham, and the Doctor, who is now a woman, and looks younger than Ace. Can they overcome past distrust and work together to learn what links these events to Ace's past, and stop both the campaign of abductions and a relentless interstellar crusade.
The continuing story of Ace, as both written and read by the original Ace, Sophie Aldred, was an irresistable draw to me, and I was not disappointed. It's not the highest literature, and there are a couple of errors which should have been fixed either in editing or direction, suggesting that production was a little rushed. Overall, however, this is a cracking return for one of my favourite companions, without selling the current crop short, and confronts the sometimes manipulative nature of the relationship between Ace and the Doctor through the lens of an older, wiser Dorothy and the Doctor's newer, more open incarnation.
Aldred has her own character down, and does a fair job with the new bunch, both in writing and performance. I could complain that Dorothy's relationships post-series seem to have gone in a disappointingly hetero direction, and indeed I just did, but then Ace's sexuality was always a matter of interpretation. It's good to hear from an older Ace, even if for me - as a Big Finish fan - her younger incarnation is still going strong, and if this isn't a perfect work, it doesn't offend.
Re-Reads
The War of the Worlds, HG Wells
In the last years of the 19th century, an invasion force lands in England, carried by interplanetary missiles launched from the surface of the planet Mars. As the Martians stride forth in their terrible machines, and bring their superior weaponry to bear against the unprepared defences of Earth, the ordinary (upper middle class) folk of England are pushed to the limits of their own humanity.
HG Wells was one of the visionaries of early science fiction, and if his science wasn't up to Verne's exacting standards, his fiction was more gripping, and never involved three page descriptions of fish. The War of the Worlds was not only one of his finest works, but one that has provided a template for alien invasion narratives ever since. It's hard to think how it would have been received by a British middle class secure in their own power, this narrative of a quintessential English gentleman reduced to punching out a clergyman and contemplating the ultimate capitulation of suicide by Martian.
I revisited this novel as part of a collection of Wells' SF released by Audible. The War of the Worlds is read in this collection by David Tennant, who of course puts in a sterling performance.
The First Men in the Moon, HG Wells
During a sabbatical, failed entrepreneur Mr Bedford falls in with the eccentric scientist Cavor. Learning of the latter's work on a remarkable anti-gravity material dubbed 'Cavorite', Bedford is immediately gripped by the commercial and industrial possibilities, and throws himself into assisting the inventor, first in processing the material, and then in using it to construct a sphere designed to travel to the Moon. Here, the two men discover an insectoid race that they dub the Selenites. They are captured, but escape, although only Bedford is able to reach the sphere and return to Earth. Over time, he receives a series of messages from Cavor, describing the society of the Selenites, their physically differentiated castes, and their massive-brained leader, the Grand Lunar.
The First Men in the Moon was one of the Wells novels most closely paralleled by one written by his near-contemporary Jules Verne, and was cited by Verne in an attack on Wells' science (poo-pooing the invention of an anti-gravity substance in comparison to his own more solidly scientific 'giant cannon' lunar launch.) It is less about the moon or space travel, and more about the callowness of the Empire spirit, with the alliance of Bedford's shallow commercialism and Cavor's blind scientific curiosity combining to court continual disaster.
The Audible version is narrated by Alexander Vlahos, who brings out Bedford's ambition, superficiality and self-serving unreliability as a narrator brilliantly.
Audio Plays
Curse of the Crimson Throne
Ezren the wizard, Merisiel the rogue, Harsk the ranger and Valeros the warrior travel to Korvosa - a city existing under the shadows of an assassinated king and past rule by a dark empire, whose inheritors oppress the native populace - and in search of Merisiel's friend, Kyra. What they find is a queen, seeking power, surrounded by enablers and willing to embrace any darkness, any cruelty in order to achieve her aim of eternal life. Working with and against nobles and commoners, criminals and monsters, seers and priests, the four heroes must first determine what is right, and then see it through.
The third, and so far final, series of audio adventures based on the adventure paths of the Pathfinder RPG, is - for the most part - an urban conspiracy with fantasy monsters. It's been a rare, and unusually successful exercise in fantasy audio drama, which has typically struggled with the show, don't tell nature of audio and its intersection with the monsters and magic of the genre. It also confirms the previously hinted bisexual identification of one of the iconic Pathfinder characters, and I am definitely here for increased representation in RPGs.
The Liberator Chronicles, Volume 1
Vila and Avon infiltrate a Federation research base, with Vila posing as a scientist and Avon as an advanced android. Their goal is to steal a Federation android prototype, but even if Avon can pass as a robot, can he successfully convince the scientists that he is a robot that can pass as human.
Vila wakes on the Liberator, his memory badly fragmented. His only companion is the voice of an Auron scientist named Nyrron. What happened? Where are his companions? And who is Vila, really?
Blake infiltrates a mine producing Illusium, a uniquely adaptable mineral which could make the Federation unbeatable. The scientists are less cooperative than he might have hoped, but he has an unexpected ally: The relentless paranoia and backbiting of Federation politics.
Having acquired the Blake's 7 license, Big Finish produced a number full cast audio plays - beginning with Warship - but with an increasing part of the original cast either retired or dead, the bulk of their output in the range came in the form of the Liberator Chronicles, a series of augmented readings in the vein of the Companion Chronicles for the Doctor Who range. In this case, featuring original actors Paul Darrow, Michael Keating and Gareth Thomas (two thirds of whom have since passed.) Like Terrahawks, it's a bit of a nostalgia fest for me, although I came to the original series a little later in life. The performances here are on point, and the stories the classic mix of SF and human drama, without the original's telltale white plimsoles.
New Comics
Giant Days, Volume 11
The end approaches - for everyone but medical student Susan - as the final year of university rolls by. The end of the year sees Daisy stumble into the role of cult recruiter for a Christmas village, Esther fighting the siren call of 'sure thing' Ed after her years of turbulent and unproductive romantic entanglements, while Ed travels to Australia to visit his girlfriend's family. Daisy struggles with the continuing presence of her ex-girlfriend, and Susan with the looming spectre of domesticity in her life with McGraw.
Once again, not much to say about this volume that I haven't said about the others. I still hope that Esther and Ed don't end up together, since it would reinforce a fairly negative narrative track, although if I'm honest I trust Allison to do whatever he does well.
As with By Night, it's a bit odd to see Allison's style transplanted away from the North (in this case, to Australia, or some approximation thereof.)
Total read - 6
Female authors - 1
PoC authors - 0
Not a great showing on expanding my horizons this month then, but it's early days.
It has been years since Ace travelled with the Doctor. Now she goes by her real name and runs the philanthropic empire A Charitable Earth and keeps watch over the world in the absence of UNIT and Torchwood. When young people begin to be abducted, the trail leads Dorothy McShane to a hidden spaceship in lunar orbit, where she meets Yaz, Ryan, Graham, and the Doctor, who is now a woman, and looks younger than Ace. Can they overcome past distrust and work together to learn what links these events to Ace's past, and stop both the campaign of abductions and a relentless interstellar crusade.
The continuing story of Ace, as both written and read by the original Ace, Sophie Aldred, was an irresistable draw to me, and I was not disappointed. It's not the highest literature, and there are a couple of errors which should have been fixed either in editing or direction, suggesting that production was a little rushed. Overall, however, this is a cracking return for one of my favourite companions, without selling the current crop short, and confronts the sometimes manipulative nature of the relationship between Ace and the Doctor through the lens of an older, wiser Dorothy and the Doctor's newer, more open incarnation.
Aldred has her own character down, and does a fair job with the new bunch, both in writing and performance. I could complain that Dorothy's relationships post-series seem to have gone in a disappointingly hetero direction, and indeed I just did, but then Ace's sexuality was always a matter of interpretation. It's good to hear from an older Ace, even if for me - as a Big Finish fan - her younger incarnation is still going strong, and if this isn't a perfect work, it doesn't offend.
Re-Reads
The War of the Worlds, HG Wells
In the last years of the 19th century, an invasion force lands in England, carried by interplanetary missiles launched from the surface of the planet Mars. As the Martians stride forth in their terrible machines, and bring their superior weaponry to bear against the unprepared defences of Earth, the ordinary (upper middle class) folk of England are pushed to the limits of their own humanity.
HG Wells was one of the visionaries of early science fiction, and if his science wasn't up to Verne's exacting standards, his fiction was more gripping, and never involved three page descriptions of fish. The War of the Worlds was not only one of his finest works, but one that has provided a template for alien invasion narratives ever since. It's hard to think how it would have been received by a British middle class secure in their own power, this narrative of a quintessential English gentleman reduced to punching out a clergyman and contemplating the ultimate capitulation of suicide by Martian.
I revisited this novel as part of a collection of Wells' SF released by Audible. The War of the Worlds is read in this collection by David Tennant, who of course puts in a sterling performance.
During a sabbatical, failed entrepreneur Mr Bedford falls in with the eccentric scientist Cavor. Learning of the latter's work on a remarkable anti-gravity material dubbed 'Cavorite', Bedford is immediately gripped by the commercial and industrial possibilities, and throws himself into assisting the inventor, first in processing the material, and then in using it to construct a sphere designed to travel to the Moon. Here, the two men discover an insectoid race that they dub the Selenites. They are captured, but escape, although only Bedford is able to reach the sphere and return to Earth. Over time, he receives a series of messages from Cavor, describing the society of the Selenites, their physically differentiated castes, and their massive-brained leader, the Grand Lunar.
The First Men in the Moon was one of the Wells novels most closely paralleled by one written by his near-contemporary Jules Verne, and was cited by Verne in an attack on Wells' science (poo-pooing the invention of an anti-gravity substance in comparison to his own more solidly scientific 'giant cannon' lunar launch.) It is less about the moon or space travel, and more about the callowness of the Empire spirit, with the alliance of Bedford's shallow commercialism and Cavor's blind scientific curiosity combining to court continual disaster.
The Audible version is narrated by Alexander Vlahos, who brings out Bedford's ambition, superficiality and self-serving unreliability as a narrator brilliantly.
Audio Plays
Curse of the Crimson ThroneEzren the wizard, Merisiel the rogue, Harsk the ranger and Valeros the warrior travel to Korvosa - a city existing under the shadows of an assassinated king and past rule by a dark empire, whose inheritors oppress the native populace - and in search of Merisiel's friend, Kyra. What they find is a queen, seeking power, surrounded by enablers and willing to embrace any darkness, any cruelty in order to achieve her aim of eternal life. Working with and against nobles and commoners, criminals and monsters, seers and priests, the four heroes must first determine what is right, and then see it through.
The third, and so far final, series of audio adventures based on the adventure paths of the Pathfinder RPG, is - for the most part - an urban conspiracy with fantasy monsters. It's been a rare, and unusually successful exercise in fantasy audio drama, which has typically struggled with the show, don't tell nature of audio and its intersection with the monsters and magic of the genre. It also confirms the previously hinted bisexual identification of one of the iconic Pathfinder characters, and I am definitely here for increased representation in RPGs.
Vila and Avon infiltrate a Federation research base, with Vila posing as a scientist and Avon as an advanced android. Their goal is to steal a Federation android prototype, but even if Avon can pass as a robot, can he successfully convince the scientists that he is a robot that can pass as human.
Vila wakes on the Liberator, his memory badly fragmented. His only companion is the voice of an Auron scientist named Nyrron. What happened? Where are his companions? And who is Vila, really?
Blake infiltrates a mine producing Illusium, a uniquely adaptable mineral which could make the Federation unbeatable. The scientists are less cooperative than he might have hoped, but he has an unexpected ally: The relentless paranoia and backbiting of Federation politics.
Having acquired the Blake's 7 license, Big Finish produced a number full cast audio plays - beginning with Warship - but with an increasing part of the original cast either retired or dead, the bulk of their output in the range came in the form of the Liberator Chronicles, a series of augmented readings in the vein of the Companion Chronicles for the Doctor Who range. In this case, featuring original actors Paul Darrow, Michael Keating and Gareth Thomas (two thirds of whom have since passed.) Like Terrahawks, it's a bit of a nostalgia fest for me, although I came to the original series a little later in life. The performances here are on point, and the stories the classic mix of SF and human drama, without the original's telltale white plimsoles.
New Comics
Giant Days, Volume 11The end approaches - for everyone but medical student Susan - as the final year of university rolls by. The end of the year sees Daisy stumble into the role of cult recruiter for a Christmas village, Esther fighting the siren call of 'sure thing' Ed after her years of turbulent and unproductive romantic entanglements, while Ed travels to Australia to visit his girlfriend's family. Daisy struggles with the continuing presence of her ex-girlfriend, and Susan with the looming spectre of domesticity in her life with McGraw.
Once again, not much to say about this volume that I haven't said about the others. I still hope that Esther and Ed don't end up together, since it would reinforce a fairly negative narrative track, although if I'm honest I trust Allison to do whatever he does well.
As with By Night, it's a bit odd to see Allison's style transplanted away from the North (in this case, to Australia, or some approximation thereof.)
Total read - 6
Female authors - 1
PoC authors - 0
Not a great showing on expanding my horizons this month then, but it's early days.
