Wednesday, 10 June 2015

The Rithmatist

Rithmatics is a magic forged in chalk. A Rithmatist can create, defend and breach barriers just by drawing in chalk, but it is not a skill that can be learned: Rithmatists are chosen.

Joel was not chosen, but he has a fascination for Rithmatics that is matched by an agile, mathematical mind and a superb geometric eye. The son of a chalkmaker, he attends a prestigious school on a scholarship, fitting in with neither the Rithmatic students, all bound for ten years military service defending the United Isles from wild chalklings, or the sons and daughters of the wealthy who attend the general school with him. Melody has position and wealth to spare, and was chosen as a Rithmatist, but can't even draw a circle. Pushed together in a summer elective class with eccentric Rithmatic theorist Professor Fitch, this odd couple are drawn into the investigation of a series of gruesome crimes involving Rithmatic students; crimes which could threaten the entire nation.

The Rithmatist is my first encounter with terrifyingly prolific fantasy novelist Brandon Sanderson. It's a slow-burner, paced more like a detective novel than a conventional fantasy or even school story, with the investigation and the magical theory surrounding it more important than dramatic duels or detentions. Joel and Melody are well balanced as protagonist and deuteragonist, one mathematical, the other artistic, and both qualities given weight within the setting and the magical system. Both are at times irritating - Joel in his absolute focus on Rithmatics and insistence that everything else is boring, Melody in her melodramatic self-pity - but the author is not blind to these faults and they are explored in the text rather than overlooked or excused (as in a scene where Joel is confronted with and confounded by politics and admits to failing his government class last year. "When am I going to need to know historical government theories?" he asks. "I don't know... Maybe right now," is the reply.)

Rithmatics is basically really badass
geometry.
The audiobook, read by Michael Kramer, is good, but suffers from the semi-illustrated nature of the book, and in particular the chapter-heading rithmatic diagrams which provide a great deal of visual context. Having the Kindle book as well proved a boon in this instance. The diagrams are part of a simple yet detailed magic system, although a couple of its facets felt brushed over, specifically that Rithmatists are only chosen to replace those who have died, and that one of the new rithmatic techniques which form a central plot point is so dramatically out of character for the rest of the system. I am sure that both of these facts have relevance, and even if not answered it would have been good to hear the characters ask some questions.

Rithmatics does not exist in a vacuum, however, and is clearly linked to the nature of a world in which the North American continent was shattered into a vast archipelago before any European explorer every reach its shores, and abandoned by its indigenous people in the face of wild chalkling attack. The pseudo-Anglican church with its monopoly on Rithmatists, the clockpunk aesthetic and the political landscape are broadly sketched, but clearly intrinsically linked to the history and nature of the world.

Who doesn't like a map?
If The Rithmatist has a flaw, it is that it is all setup and very little conclusion. It's not without closure, and manages a good turn of action in the closing fifth or so, but is unmistakably, and self-consciously, part of a series. It's a series I intend to follow - when the next part is published and probably recorded - but it's there.

If there is a single sentence to sum up the book's achievement, it is that it makes dual-wielding chalk seem hardcore.

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