Just the one
book this month, with Carpentaria
actually taking until the 3rd of August to finish. Both a first look
into a culture that is almost completely new to me and a weird parallel to One Hundred Years of Solitude, it blends
oral storytelling with magic-realism to great effect.
This month past
saw me through three more books in the Complete
Sherlock Holmes.
The Hound of the Baskervilles is the
third, and probably most well-known, of the Sherlock Holmes novels. Set during
the earlier years of the partnership of Holmes and Watson, it was presented
during the period of the great detective's death as a means to stave off
pressure to return the character full tie. It pits Holmes against an apparently
supernatural foe, and features some of the classic moments of the canon, as
well as some prize examples of Holmes's dickery. He lies to Watson, and despite
knowing who the killer is from the get go, holds off in search of evidence so
long that his client is almost mauled to death and a young woman brutally
beaten (in as much as the narrative cares after she has been revealed as the
killer's – largely unwilling – accomplice; Watson is Judgey McJudgerson on this
one.)
Conversely,
the final novel – The Valley of Fear –
is perhaps the least known and regarded of the four, despite featuring the second
and final appearance(1) of Professor Moriarty in the canon(2). Similar in
structure to A Study in Scarlet and,
like Hound set before the fatal
confrontation at the Reichenbach Falls, it swaps Mormons for Masonic trade
union mobsters terrorising honest mine owners and opposed by the brave men of
the Pinkerton Detective Agency, based loosely on the case of the Molly Maguires.
As with many of Doyle's inclusions of contemporary secret societies or fringe
groups, the depiction is startlingly black and white to modern eyes, but would have
represented the first and all that many of his readers might have heard of such
things. It is also of note that the main narrative doesn't even feature an
actual murder until the epilogue, and that it features a police detective whose
skills almost rival Holmes's own.
Finally, The Return of Sherlock Holmes was Doyle's
capitulation to market pressure for more Sherlock Holmes' stories. It begins
with 'The Adventure of the Empty House', in which Holmes returns to London and
reveals his survival to Watson, before bringing down Moriarty's lieutenant,
Colonel Sebastian Moran.
'The Adventure
of the Norwood Builder' and 'The Adventure of the Abbey Grange' both feature
cases in which the accused client reaches Holmes in a state of dishevelment
having been set up, in the one case to take the fall and the other to provide
an alibi for murders that are not, for one reason or another, ever actually
committed. 'The Adventure of the Dancing Men', on the other hand, belongs to
that subset of Holmes stories in which Holmes' preference for intellectual
rigour over action arguably results in the death of his client, a category from
which 'The Adventure of the Solitary Cyclist' escapes by a matter of moments.
'The
Adventure of the Priory School' sees Holmes claiming his biggest ever payday when
he uncovers a plot to manipulate an aristocrat's will. Also of note, ' The
Adventure of the Second Stain' brings Holmes into affairs of national
importance, and features a twinkly-eyed Prime Minister of no given name and
peculiar perspicacity.
'The
Adventure of Black Peter' is a fairly routine terrible history case, ' The
Adventure of the Six Napoleons' sees Holmes tangle tangentially with the Mafia,
and ' The Adventure of the Golden Pince-Nez' has a bit of both, as a murder
leads to the uncovering of an academic's secret past in a Russian revolutionary
brotherhood. Comparatively speaking, 'The Adventure of the Three Students' and
'The Adventure of the Missing Three-Quarter' are light fare, although the
latter's seemingly trivial case of a missing rugby player resolves into a
tragic denouement with no criminal component.
Perhaps the
most remarkable story in the book is 'The Adventure of Charles Augustus
Milverton', not least for Holmes's singular failure to resolve the case in hand
for himself. Tasked with recovering compromising material from the titular
master blackmailer, Holmes makes a reckless attempt to strong-arm the villain before
finally deciding to break into his house, quite by chance on the night that he
happens to be murdered by another party. It's a rare show of fallibility, with
Holmes operating out of his comfort zone and stuffing it almost completely.
I've sometimes
had mixed success with the work of Cornelia Funke(3), but Ghost Knight is a cracking read. It's nothing all that new – boy sent
to boarding school after friction with potential stepfather, threatened by ghosts,
makes a friend in the local eccentric, resolves the problem(4) and in so doing
finds a way to resolve his personal issues as well – but well told and
wonderfully pacey; I finished the short novel in a day.
Rosie Revere, Engineer is a book that I bought
for my daughter and which, in her inimitable style, she flatly insisted that
she didn't like until I practically forced her to listen to me read it, after
which she asked for it every night for a week. It's a simple, but affecting,
tale of young Rosie, who hides her desire to invent for fear of being mocked.
Then her Great Aunt Rose – who is implied to be the original Rosie the Riveter –
assures her that it's great to try and okay to fail, so long as each failure
leads to another, better failure on the road to – maybe – success.
For my
bedtime listening, I've been going back to the Harry Potter series(5), and have
so far got through Harry Potter and the
Philosopher's Stone and Harry Potter
and the Chamber of Secrets. My biggest takeaway from this – besides the
fact that I find it odd that Stephen Fry doesn't give Professor McGonagall any
kind of Scots accent, and puts the stress on the second syllable of Malfoy – is that damn those books were dark. I'd sort of blanked
out just how horrid the Dursleys are, and had forgotten that even in book one
we have Voldemort suckling on unicorn blood while living parasitically in the
body of another human being. Then book two has children being stalked by an
unseen monster, giant spiders trying to eat the protagonists, and a young
girl's soul being consumed by a possessed book.
Never mind bringing a generation to reading, I'm amazed it didn't bring more of them to therapy.
Never mind bringing a generation to reading, I'm amazed it didn't bring more of them to therapy.
These first two books are what Tolkien might have called essays in the craft, with Rowling not yet the accomplished writer she ended up. As a result the prose is a little hit and miss, but overall they hold their own among the crowded field of children's fiction, even if they aren't quite up to the standards later set by their successors.
My actual copy of this is as old as dirt and looks like the opening credits of The Time Tunnel. |
Finally this
month, A Wrinkle in Time was another
re-read, and a slightly disappointing one. The opening volume of Madelaine
l'Engle's Time quar/quintet is chock full of interesting ideas, but in
retrospect the dialogue is somewhat stilted and the 'love conquers all' finale is a little bit pat in a novel of cosmic good and evil. Or perhaps it's the only ending that makes any sense?
Still, it's got a lot going for it and a strongly humanist theme(6) that I approve of, and I especially like that the young protagonist Meg learns to recognise that her father is not omnipotent – and that that's okay – as well as that her 'flaws' – the 'unladylike' traits of anger and stubbornness – do not have to be weaknesses.
Still, it's got a lot going for it and a strongly humanist theme(6) that I approve of, and I especially like that the young protagonist Meg learns to recognise that her father is not omnipotent – and that that's okay – as well as that her 'flaws' – the 'unladylike' traits of anger and stubbornness – do not have to be weaknesses.
(1) Well,
he's never 'on screen', as it were, but his actions directly affect events,
rather than simply being referenced at a distance.
(2) An
appearance which, notably, contradicts some of the details of 'The Final
Problem' by implying that Watson and others of Holmes's associates knew of his
pursuit of the Professor.
(3) Her more
YA-oriented fare, such as the Inkheart
trilogy and the Reckless series have
generally gone down better than those aimed at younger readers.
(4) In this
case by undertaking an apprenticeship with a long-dead knight.
(5) I wasn't
quite an early adopter, but started reading the series around the publication
of Harry Potter and the Prisoner of
Azkaban, so I beat the absolute Pottermania that kicked in for the fourth
book.
(6) The
series doesn't get really Christian for a while.
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